Anyhow, I decided to test this. Unfortunately, I didn’t have a child to hand. I did, however, have a sponge. (Which, according to The Daily Telegraph, amounts to much the same thing.) I therefore read it the opening chapter of “The English Patient.” The results were amazing.
When I’d finished, I squeezed the sponge. Out came: “She stands up in the garden where she has been working and looks into the distance.” And so on, unto the end of the chapter - all word perfect. But there was more. I gave it another squeeze. “Personally, I find this a very trite, overrated book,” said the sponge. “Why Ondaatje couldn’t have just gone for a standard linear narrative I do not know. You’ve really got to be one of those Guardian-reading ponces who lives in Islington to divine any artistic merit whatsoever from crap like this.”
Next, I played the sponge the CD of Puccini’s “Gianni Schicchi” from beginning to end. Then I squeezed it. Out came the opera, virtually note-perfect. It wasn’t in stereo, admittedly, but for a monaural sponge, the sound quality was pretty good, nonetheless.
But then disaster struck.
Given all this, therefore, it behoves us to take extreme care with the sort of material to which we expose the nation’s youngsters.
2 comments:
Your sponge was right fucking thick.Why didnt it say "The character of Hanna is far removed from Juliet Binoches interpretation?"
It actually did. And it went on to add, "That Juliet Binoche is a right dog, anyway. Looks like Kieron McEgan in drag."
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